Mona Mahall / Asli Serbest - Recent changes [en]

Spuren spuren: Athens

Cmfiy — Sun, 26 Jul 2026 13:09:25 GMT

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	With the help of Chrissi Nasz.		With the help of Chrissi Nasz.

	~~Württembergischer Kunstverein Stuttgart, 2015~~

	Many thanks to Hans Christ, Keller Easterling, Marina Fokidis, Elina Axioti, Andreas Angelidakis, Aristide Antonas, Angelo Plessas, Evelyn Steiner.		Many thanks to Hans Christ, Keller Easterling, Marina Fokidis, Elina Axioti, Andreas Angelidakis, Aristide Antonas, Angelo Plessas, Evelyn Steiner.

	~~== Gallery ==~~		<h4>Württembergischer Kunstverein Stuttgart, 2015</h4>

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:SpurenSpuren-Lead.jpg		File:SpurenSpuren-Lead.jpg

Natural Wifi: Los Angeles

Cmfiy — Sun, 26 Jul 2026 13:08:49 GMT

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	Team: Nick Meehan, Selwa Sweidan, Erika Katrina Barbosa, Zhihan Ying		Team: Nick Meehan, Selwa Sweidan, Erika Katrina Barbosa, Zhihan Ying

	Art Center Los Angeles, 2015		Art Center Los Angeles, 2015 <br>
	Shenzhen Bi-City Biennale, 2015		Shenzhen Bi-City Biennale, 2015 <br>
	Biennale di Venezia, 2021		Biennale di Venezia, 2021 <br>
	e-flux Brooklyn, 2022		e-flux Brooklyn, 2022

	~~== Gallery ==~~		<h4>Art Center Los Angeles, 2015</h4>

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:NaturalWifi-Lead.jpg		File:NaturalWifi-Lead.jpg

Temporary Cities: Gate

Cmfiy — Sun, 26 Jul 2026 13:07:53 GMT

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	The spatial elements that emerge within ephemeral urbanism: stalls, draperies, and decorations, as well as containers, tents, and fences, collapse 'cities of dream,' to use Benjamin's notion, with cities of painful actuality exhibiting the political, social, economic, and environmental disparity of our world.		The spatial elements that emerge within ephemeral urbanism: stalls, draperies, and decorations, as well as containers, tents, and fences, collapse 'cities of dream,' to use Benjamin's notion, with cities of painful actuality exhibiting the political, social, economic, and environmental disparity of our world.

	Pinakothek der Moderne, Munich, 2017		<h4>Pinakothek der Moderne, Munich, 2017</h4>

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:TemporaryCitiesGate-Lead.jpg		File:TemporaryCitiesGate-Lead.jpg

Temporary Cities: Carpets

Cmfiy — Sun, 26 Jul 2026 13:07:18 GMT

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	In his media theory French philosopher Régis Debray retells the story of the exodus of the Israelites from Egypt as the invention of the portable God. As a wanderer, Israel could not offer an altar or a statue to their God. Following Debray, they therefore declared these heavy objects as anyway forbidden. Instead, the Israelites developed light-weight objects like the tefillin, mini leather boxes containing scrolls of torah verses, to be read through magnifying glasses. In a materialist interpretation Debray asserts that these religious devices not only allowed transportation but also meant transformation: Transmission is not a simple transfer from a sender to a receiver, but "a chain of incessant transformations". In these transformations "sender and receiver are modified from the inside by the message they exchange, and the message is itself modified by its circulation. He concludes: In transit, the Judaic God became a-topical, but accessible at any place and time. If we look at social media, digital market places, or online games today, all of them constituting sort of ephemeral cities, we might ask with Debray: in what ways do they transform the city as we know it?		In his media theory French philosopher Régis Debray retells the story of the exodus of the Israelites from Egypt as the invention of the portable God. As a wanderer, Israel could not offer an altar or a statue to their God. Following Debray, they therefore declared these heavy objects as anyway forbidden. Instead, the Israelites developed light-weight objects like the tefillin, mini leather boxes containing scrolls of torah verses, to be read through magnifying glasses. In a materialist interpretation Debray asserts that these religious devices not only allowed transportation but also meant transformation: Transmission is not a simple transfer from a sender to a receiver, but "a chain of incessant transformations". In these transformations "sender and receiver are modified from the inside by the message they exchange, and the message is itself modified by its circulation. He concludes: In transit, the Judaic God became a-topical, but accessible at any place and time. If we look at social media, digital market places, or online games today, all of them constituting sort of ephemeral cities, we might ask with Debray: in what ways do they transform the city as we know it?

	Does Permanence Matter?		<h4>Does Permanence Matter?
	Pinakothek der Moderne, Munich 2017		Pinakothek der Moderne, Munich 2017</h4>

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:TemporaryCitiesCarpets-Lead.jpg		File:TemporaryCitiesCarpets-Lead.jpg

Dauerwelle: Travelling Art Space

Cmfiy — Sun, 26 Jul 2026 13:06:29 GMT

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	Commissioned by Hochschule für Künste Bremen.		Commissioned by Hochschule für Künste Bremen.

	~~== Gallery ==~~		<h4>Images from Bremen, Haaren, Gelsenkirchen and project process, 2017-2020</h4>

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:Dauerwelle-Lead.jpg		File:Dauerwelle-Lead.jpg

Newold europe

Cmfiy — Sun, 26 Jul 2026 13:04:48 GMT

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	''Series of objects, 3D print, fiberglass, mineral coating, pigment, metal, 2026''<br>		''Series of objects, 3D print, fiberglass, mineral coating, pigment, metal, 2026''<br>
	''Screen prints, 2026''		''Screen prints, 2026''

			[[newold europe (text)\|excerpt → newold europe]]

	From the Exhibition Guide:		From the Exhibition Guide:

	"Mona Mahall and Aslı Serbest's newold europe continues their ongoing practice and research into the politics of public and personal spaces–spaces that have paradoxically become more distant as they are more closely networked. Recent developments demonstrate that distances have increased drastically, borders have become violently policed, and Europe has hardened into a frontier union, operating through colonial, patriarchal, and class-based structures, while claiming to uphold universal democratic values.		"Mona Mahall and Aslı Serbest's newold europe continues their ongoing practice and research into the politics of public and personal spaces–spaces that have paradoxically become more distant as they are more closely networked. Recent developments demonstrate that distances have increased drastically, borders have become violently policed, and Europe has hardened into a frontier union, operating through colonial, patriarchal, and class-based structures, while claiming to uphold universal democratic values.

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	As a part of PresentAbsent, curated by Merve Elveren and Meriç Öner, at YUNT from October 11, 2025, to August 16, 2026.		As a part of PresentAbsent, curated by Merve Elveren and Meriç Öner, at YUNT from October 11, 2025, to August 16, 2026.

	Yunt Istanbul, 2026		<h4>Yunt, Istanbul, 2026</h4>

	~~== Gallery ==~~
	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:NewoldEurope-Lead.jpg		File:NewoldEurope-Lead.jpg

Feminist Utopian Spaces

Cmfiy — Sun, 26 Jul 2026 13:01:05 GMT

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	May 4—September 23, 2018		May 4—September 23, 2018

	Schluss mit reden, spielen wir!		<h4>Schluss mit reden, spielen wir!
	Kunsthalle Lingen		Kunsthalle Lingen
	June 7—August 25, 2019		June 7—August 25, 2019</h4>

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:FeministUtopianLexicon-Lead.jpg		File:FeministUtopianLexicon-Lead.jpg

The House Alice Built

Cmfiy — Sun, 26 Jul 2026 13:00:17 GMT

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	The House Alice Built responds to the Kitchenless House (1915) by architect Alice Constance Austin: a residential building that was designed without a kitchen for a socialist community in California at the beginning of the 20th century. The architect eliminated the kitchen from the private dwelling, in order to communalize it. A central kitchen, serving the whole community, should instead be operated through paid professionals. The intention was to change not just the life of women and their situation of unpaid and invisible housework but also to question the social relations between the community members and their environment. The house was never fully realized, and the community existed only between 1913 and 17.		The House Alice Built responds to the Kitchenless House (1915) by architect Alice Constance Austin: a residential building that was designed without a kitchen for a socialist community in California at the beginning of the 20th century. The architect eliminated the kitchen from the private dwelling, in order to communalize it. A central kitchen, serving the whole community, should instead be operated through paid professionals. The intention was to change not just the life of women and their situation of unpaid and invisible housework but also to question the social relations between the community members and their environment. The house was never fully realized, and the community existed only between 1913 and 17.

	~~== Gallery ==~~		<h4>Riverrun, Bunker Exhibitions, Istanbul
			December 13, 2018 — January 26, 2019
			Istanbul</h4>
	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:HouseAliceBuilt-Lead.jpg		File:HouseAliceBuilt-Lead.jpg

N minus 1

Cmfiy — Sun, 26 Jul 2026 12:58:31 GMT

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	Modernism has long been questioned for its grandios utopian aspirations regarded as bound up with paternalistic, colonial, and totalitarian attitudes. The n minus 1 drafts formulate not modernist major projects but concepts of minor operations that however allow for new spatial connections and relations. In that they provide the ground on which we might evolve more open social, political, and aesthetic forms of living together.		Modernism has long been questioned for its grandios utopian aspirations regarded as bound up with paternalistic, colonial, and totalitarian attitudes. The n minus 1 drafts formulate not modernist major projects but concepts of minor operations that however allow for new spatial connections and relations. In that they provide the ground on which we might evolve more open social, political, and aesthetic forms of living together.

	Kunsthalle Lingen		<h4>Kunsthalle Lingen
	June 7—August 25, 2019		June 7—August 25, 2019</h4>

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:NMinus1-Lead.jpg		File:NMinus1-Lead.jpg

Self-Cleaning Houses

Cmfiy — Sun, 26 Jul 2026 12:58:07 GMT

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	The project by Frances Gabe is a patented invention (patent number: 4428085) that consists of sixty-eight appliances to make the house clean and dry itself. By pressing a button, sprinklers in the ceiling of each room are activated, to clean the room with detergent and water followed by hot air drying. The building construction does not only clean the house but also clothes, dishes and even the dog house. The "giant dishwasher", eliminates (mainly) women's reproductive labor and unpaid housework, in a completing of the Frankfurt kitchen concept.		The project by Frances Gabe is a patented invention (patent number: 4428085) that consists of sixty-eight appliances to make the house clean and dry itself. By pressing a button, sprinklers in the ceiling of each room are activated, to clean the room with detergent and water followed by hot air drying. The building construction does not only clean the house but also clothes, dishes and even the dog house. The "giant dishwasher", eliminates (mainly) women's reproductive labor and unpaid housework, in a completing of the Frankfurt kitchen concept.

	50 Years after 50 Years of the Bauhaus		<h4>50 Years after 50 Years of the Bauhaus
	Württembergischer Kunstverein Stuttgart		Württembergischer Kunstverein Stuttgart
	May 4—September 23, 2018		May 4—September 23, 2018</h4>

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:SelfCleaningHouses-Lead.jpg		File:SelfCleaningHouses-Lead.jpg

Sinop Biennial 7 / A Politics of Location

Cmfiy — Sun, 26 Jul 2026 12:57:13 GMT

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	All photos by Laura Baumann.		All photos by Laura Baumann.

	~~Hal and Buzhane, Sinop~~
	~~Mars, Istanbul~~
	~~August 16—September 15, 2019~~

	[https://sinopbiennial.org sinopbiennial.org]		[https://sinopbiennial.org sinopbiennial.org]

	~~== Gallery ==~~		<h4>Hal and Buzhane, Sinop / Mars, Istanbul, August 16—September 15, 2019</h4>

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:SinopBiennial-Lead.jpg		File:SinopBiennial-Lead.jpg

Homes of the Internet

Cmfiy — Sun, 26 Jul 2026 12:54:04 GMT

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	[[Homes of the Internet (text)\|read more]]		[[Homes of the Internet (text)\|read more]]

	Biennale di Venezia 2021, Austrian Pavilion		Biennale di Venezia 2021, Austrian Pavilion<br>

	Art Center Los Angeles, 2015		Art Center Los Angeles, 2015

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	Team: Nick Meehan, Selwa Sweidan, Erika Katrina Barbosa, Zhihan Ying		Team: Nick Meehan, Selwa Sweidan, Erika Katrina Barbosa, Zhihan Ying

	~~== Gallery ==~~		<h4>Biennale di Venezia 2021, Austrian Pavilion</h4>

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">

Digital Twin

Cmfiy — Sun, 26 Jul 2026 12:52:06 GMT

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	The collective work takes place at the intersection of art, architecture, and activism, as it reflects how practices, institutions, histories, and the present materialize in the (built) environment. The residence in Tarabya is a particularly interesting place, behind a wall in an affluent neighborhood, with a well-tended garden adjoined by a forest. The wooden buildings are bright white showing traces of political conflicts, eclectic architecture, and ornamentation from colonial times, overlapping with current representational and security requirements of an embassy site. In the past, all major European colonial powers had residences in Tarabya. Today, Erdogan owns a heavily secured summer palace nearby. The view of the Bosporus disrupts this context aesthetically as well as logistically.		The collective work takes place at the intersection of art, architecture, and activism, as it reflects how practices, institutions, histories, and the present materialize in the (built) environment. The residence in Tarabya is a particularly interesting place, behind a wall in an affluent neighborhood, with a well-tended garden adjoined by a forest. The wooden buildings are bright white showing traces of political conflicts, eclectic architecture, and ornamentation from colonial times, overlapping with current representational and security requirements of an embassy site. In the past, all major European colonial powers had residences in Tarabya. Today, Erdogan owns a heavily secured summer palace nearby. The view of the Bosporus disrupts this context aesthetically as well as logistically.

	Kunstraum Kreuzberg, Berlin		<h4>Kunstraum Kreuzberg, Berlin, September 3 – October 31 2021</h4>
	September 3 – October 31 2021

	~~== Gallery ==~~

	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:DigitalTwin-Lead.jpg		File:DigitalTwin-Lead.jpg

As We Used to Spell

Cmfiy — Sun, 26 Jul 2026 12:51:32 GMT

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	Through various collaborations, As We Used to Spell seeks emancipatory and transformative spell practices that question systems of domination while invoking everyday lore, generosity, and humor.		Through various collaborations, As We Used to Spell seeks emancipatory and transformative spell practices that question systems of domination while invoking everyday lore, generosity, and humor.

	Barın Han, 2025/2026		<h4>Barın Han, Istanbul, 2025/2026</h4>

	~~== Gallery ==~~
	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:AsWeUsedToSpell-Lead.jpg		File:AsWeUsedToSpell-Lead.jpg

I'm not good at catchy one-liners, but who can say no to a laser proposal?

Cmfiy — Sun, 26 Jul 2026 12:50:33 GMT

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	Collective Poem: Aslı Serbest, Mona Mahall, Ayşenaz Toker, Yelta Köm, Merve Tuna, Ömer Tevfik Erten, Pınar Üzeltüzenci, Tanja Ostojić		Collective Poem: Aslı Serbest, Mona Mahall, Ayşenaz Toker, Yelta Köm, Merve Tuna, Ömer Tevfik Erten, Pınar Üzeltüzenci, Tanja Ostojić

	~~== Gallery ==~~		<h4>Laser projection on the bridges of the Bosphorus, 2023</h4>
	<gallery mode="packed" heights="180">		<gallery mode="packed" heights="180">
	File:LaserProposal-Lead.jpg		File:LaserProposal-Lead.jpg

MediaWiki:Common.css

Cmfiy — Sun, 26 Jul 2026 12:47:16 GMT

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Cmfiy — Sun, 26 Jul 2026 12:25:23 GMT

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